Writer & Director
JT is a writer and director of movies, videogames, books, and graphic novels. His first feature film, SOFT FOR DIGGING, was shot for $6000 when he was 20 years old and features in the 2001 Sundance Film Festival. His most recent film, a Horror/Western called THE BURROWERS premiered at the Toronto Film Festival before being released by Lionsgate.
He has been writing for videogames since 1999, and was one of the creators of the SPLINTER CELL series. His screenplay for the first SPLINTER CELL game earned him a Game Developer’s Choice Award (the interactive equivalent of an Oscar.) JT wrote and directed the videogame adaptation of Chris Nolan’s BATMAN BEGINS, and continues to work in original and best-selling franchises.
JT is the author of the popular series of chapter books for young readers, CLEMENCY POGUE, published by Simon & Schuster. FAIRY KILLER, along with its sequel, THE HOBGOBLIN PROXY, were optioned for film adaptation by the Jim Henson Company.
“Ghoulish” Gary Pullin is an award-winning freelance artist residing in Toronto Canada and has steadily carved out his own unique niche with-in the genre he loves – horror. In 2009 he was voted artist of the year at the Rondo Hatton Classic Horror Awards, an organization which recognizes professionals working in the horror realm. For over ten years he made his mark as Art Director at Rue Morgue Magazine, the world’s leading genre publication dedicated to horror in culture and entertainment. His artwork and influence at Rue Morgue helped shape the ever-evolving face of horror, leading him to work with many notable contemporaries such as musician/filmmaker Rob Zombie and artist Mike Mignola (Hellboy), as well as the influences that inspired him to create in the first place, such as horror icons Clive Barker and Basil Gogos. Gary’s work has hung in galleries across the globe and has been published in numerous publications, such as Royal Flush and the heavy metal magazine Revolver. When he’s not making monsters, Gary is Rue Morgue’s resident art columnist for The Fright Gallery and has been interviewed for several genre-related documentaries, the latest being Fanboy Confessional – a TV series on SPACEchannel about fans and personalities with an undying love for counter-culture.”
Is the director of the art-horror films NO TELLING, HABIT, WENDIGO, THE LAST WINTER and BENEATH. He is a producer on dozens of projects in and out of the horror genre including STAKE LAND, THE HOUSE OF THE DEVIL, I SELL THE DEAD, THE COMEDY, and WENDY AND LUCY as well as the audio series TALES FROM BEYOND THE PALE, created with the mad Irishman Glenn McQuaid. Fessenden has operated Glass Eye Pix since 1985 with the mission of supporting individual voices in the arts.
Writer director Glenn McQuaid was born and raised on the North side of Dublin. McQuaid’s first Collaboration with Larry Fessenden came about when he coordinated the visual effects on THE ROOST. Since then he has worked on several of Glass Eye Pix productions including THE LAST WINTER, HOUSE OF THE DEVIL and STAKELAND. McQuaid’s feature debut I Sell the Dead was a festival favorite that sold to IFC and is currently available to rent or buy at all decent retailers. He is currently curating TALES FROM BEYOND THE PALE, and developing various feature projects.
Lisa is a partner in The Work Room Productions and feature film producer with work that includes teh critically acclaimed feature film AUTOMATONS as well as SATAN HATES YOU which is currently showing in festivals worldwide. She has worked as a producer and Business Manager for several film companies including Glass Eye Pix (THE LAST WINTER, I SELL THE DEAD, THE HOUSE OF THE DEVIL) and Noujaim Films (CONTROL ROOM, STARTUP.COM), Inc. and heads up all operations at Channel Midnight Releasing, an independent feature film distribution company.
Formed in the Summer of 2000, after performing together with Jim O’Rourke at the Melt Down Festival in London, acoustic upright bass and percussion duo ON FILLMORE creates original music that incorporates field recordings. Bassist Darin Gray and drummer Glenn Kotche recently completed their 4th full-length album, Extended Vacation, which covers new territory for the experimental pair. The album is both a continuation and departure from their previous work, taking the listener to exotic sonic locations – both real and imagined – resulting in music that is peerless in contemporary composition.
The band’s first record was a limited edition improvised album accompanied by a companion record of individual compositions. However, their first record of songs, a self-titled LP (released on Quakebasket in 2001) consisted of highly disciplined song structure to reflect a new breed of elastic minimalism. Their next record, Sleeps with Fishes (Drag City, 2004), relied only on the string and tuned metal combination, while layering beds of field recordings from the environments surrounding their respective homes in Chicago and St. Louis, resulting in a pixelated paean to lullabies, location, and liberation. Sleeps with Fishes saw them head out on their first US tour and they’ve continued to perform occasionally since then, including a special collaborative concert with Domenico+2 at the Museum of Contemporary Art in Chicago (named one of the best performances of 2005 by Time Out Chicago). In April of 2005, they traveled to Brazil where they performed at the Perc Pan Festival, collaborated with local musicians during several concerts, and led a workshop at the University of Bahia.
Since then, the long stretch of Interstate 55 and their commitments to other projects (Jim O’Rourke, Wilco, and solo work) has limited their time to create together, but Darin and Glenn still managed to record the soundtrack to NYC filmmaker J.T. Petty’s disturbing and haunting documentary “S&Man” (screened at both the SXSW and Toronto Film Festivals) and the soundtrack to his film “Blood Red Earth,” a prequel to the Film “The Borrowers” (Lions Gate). With Extended Vacation the duo has somehow managed to reach a new creative peak while making their most accessible record to date. They hope you’ll enjoy it. For mor info, visit www.onfillmore.com
is a composer working for film, concert and stage. His work has been performed by Flux Quartet, Bulgarica Philharmonia, Lucia Micarelli, Valentina Farcas (Berlin Comic Opera), Marcus DeLoach (New York City Opera), Kenny Barron and members of the Metropolitan and New York Philharmonic orchestras.Jeff’s recent film credits include Jim Mickle’s STAKE LAND, Kelly Reichardt’s MEEK’S CUTOFF, Larry Fessenden’s THE LAST WINTER, Ti West’s THE HOUSE OF THE DEVIL, THE ROOST, TRIGGER MAN, and Ilya Chaiken’s LIBERTY KID, as well as NBC’s Fear Itself episode SKIN & BONES. From 2001 to 2004 Jeff was an assistant to Academy Award winning composer Howard Shore working on the three films of Peter Jackson’s THE LORD OF THE RINGS trilogy, Martin Scorsese’s THE GANGS OF NEW YORK, David Cronenberg’s SPIDER, David Fincher’s PANIC ROOM, and Frank Oz’s THE SCORE. Through that association, Jeff worked with such artists as Renee Fleming, Annie Lennox, Enya, Isabel Bayrakdarian, Kronos Quartet, The London Philharmonic Orchestra, Terry Edward’s London Voices, and top studio orchestras and musicians in London, Los Angeles and New York.
has been working at DigIt Audio since 2008 as a technical engineer and sound editor. He was sound editor on BITTER FEAST, STAKE LAND, THE TILLMAN STORY and UNIVERSAL SOLDIER: REGENERATION, among many other titles. MAN ON THE LEDGE is Sellye’s first radio program.
assistant editor, vo and foley recordist
has been with DigIt since 2006. With a solid background in music and audio engineering, he has recorded ADR, Foley, and VO for the company and has served as sound editor on recent projects such as Kit Hui’s FOG and Peter Callahan’s AGAINST THE CURRENT. Eric plays double bass when not slaving at DigIt.
Shaun Brennan is a Foley Artist by day (and night), and a rock-n- rolla by night (and day). Working in the top sound studios in New York and singing/playing guitar in the rock band Kung Fury. He currently lives in Manhattan and has been creating custom sound effects for films, television, radio plays and video games for more than nine years with over 120 film credits to date. Shaun studied Fine Art in Philadelphia and Photography in Northern Virginia, and has been writing and performing music since grade school. Other interests include, home recording with a variety of instruments and household products, marathon running, graphic design, writing, animals, people, collage and more…
DigIt in-house producer
Audio Post Facility
DigIt audio is a full service audio post production facility specializing in Sound design and mixing for film and television. Digit has provided sound design and mixing facilities from action features like UNIVERSAL SOLDIER: REGENEARTION to indie classics HALF NELSON, LAUREL CANYON, HAPPINESS, HIGH ART, ANOTHER GAY MOVIE, JOSHUA and dozens of documentaries from SOUL POWER to ROMAN POLANSKI: WANTED AND DESIRED. DigIt audio has partnered with Glass Eye Pix on over a dozen projects since 2001 including WENDIGO, THE LAST WINTER, THE ROOST, TRIGGER MAN, AUTOMATONS, THE HOUSE OF THE DEVIL, LIBERTY KID, I SELL THE DEAD, BITTER FEAST, and STAKE LAND. www.digitaudio.com