Tales from Beyond the Pale

Is the award winning writer/director of the art-horror movies NO TELLING, HABIT, WENDIGO and THE LAST WINTER. He has produced over a dozen films including I SELL THE DEAD, THE HOUSE OF THE DEVIL and WENDY AND LUCY. He directed an episode of NBC’s Fear Itself entitled “Sin and Bones.” Fessenden has acted in numerous films including  I SELL THE DEAD, BROKEN FLOWERS, THE BRAVE ONE, BRINGING OUT THE DEAD and habit. Fessenden founded Glass Eye Pix in 1985 with the mission of supporting individual voices in the arts.

Writer director Glenn McQuaid was born and raised on the North side of Dublin. McQuaid’s first Collaboration with Larry Fessenden came about when he coordinated the visual effects on THE ROOST. Since then he has worked on several of Glass Eye Pix productions including THE LAST WINTER, HOUSE OF THE DEVIL and STAKELAND. McQuaid’s feature debut I Sell the Dead was a festival favorite that sold to IFC and is currently available to rent or buy at all decent retailers. He is currently curating TALES FROM BEYOND THE PALE, and developing various feature projects.

Lisa is a partner in The Work Room Productions and feature film producer with work that includes teh critically acclaimed feature film AUTOMATONS as well as SATAN HATES YOU which is currently showing in festivals worldwide. She has worked as a producer and Business Manager for several film companies including Glass Eye Pix (THE LAST WINTER, I SELL THE DEAD, THE HOUSE OF THE DEVIL) and Noujaim Films (CONTROL ROOM, STARTUP.COM), Inc. and heads up all operations at Channel Midnight Releasing, an independent feature film distribution company.

is no stranger to Glass Eye Pix, having worked with in-house composer Jeff Grace on several scores over the years including THE ROOST, TRIGGER MAN, THE LAST WINTER, I SELL THE DEAD, THE HOUSE OF THE DEVIL, BITTER FEAST and STAKE LAND, in which he also appeared on screen. Eggar additionally contributed to the Fessenden TV show “SKIN AND BONES” and the short SANTA CLAWS: No job too modest for this maestro of the cello. Eggar’s musical genius stretches far beyond Glass Eye Pix, however…

Eggar was a musical prodigy as a child, beginning to play the cello and piano at age three and performing on Broadway and at the Metropolitan Opera at age seven. He trained as a classical cellist at The Juilliard School, and later graduated from Harvard University and The Juilliard School’s Doctoral Program. He debuted in Carnegie Hall at 15 as the youngest winner in the history of the Artists International competition. He has appeared throughout the world as a classical soloist, including concerto appearances at Avery Fisher Hall, Carnegie Hall, London’s Barbican Center, the Paris Opera, and the Hollywood Bowl.

Eggar has performed and recorded with artists in numerous genres, including The Who, Coldplay, John Denver, Ornette Coleman, Josh Groban, Roberta Flack, Bon Jovi, and dozens of others. Eggar signed with Domo Records in 1998 and released three albums.

www.domo.com/daveeggar

has been a core member of DigIt Audio since 2002. John has had a varied past in the world of film, working as a locations sound mixer, a stop motion animator, and motion picture camera repairman. His passion has always been sound and his recent credits include shorts, features, documentaries and video games including sound editor on SKETCHES OF FRANK GEHRY and SOUL POWER, dialogue editor on HALF NELSON and foley editor on SUGAR. John Moros is a drummer and musician as well.

has been with DigIt since 2006. With a solid background in music and audio engineering, he has recorded ADR, Foley, and VO for the company and has served as sound editor on recent projects such as Kit Hui’s FOG and Peter Callahan’s AGAINST THE CURRENT. Eric plays double bass when not slaving at DigIt.

is a composer working for film, concert and stage. His work has been performed by Flux Quartet, Bulgarica Philharmonia, Lucia Micarelli, Valentina Farcas (Berlin Comic Opera), Marcus DeLoach (New York City Opera), Kenny Barron and members of the Metropolitan and New York Philharmonic orchestras.Jeff’s recent film credits include Jim Mickle’s STAKE LAND, Kelly Reichardt’s MEEK’S CUTOFF, Larry Fessenden’s THE LAST WINTER, Ti West’s THE HOUSE OF THE DEVIL, THE ROOST, TRIGGER MAN, and Ilya Chaiken’s LIBERTY KID, as well as NBC’s Fear Itself episode SKIN & BONES. From 2001 to 2004 Jeff was an assistant to Academy Award winning composer Howard Shore working on the three films of Peter Jackson’s THE LORD OF THE RINGS trilogy, Martin Scorsese’s THE GANGS OF NEW YORK, David Cronenberg’s SPIDER, David Fincher’s PANIC ROOM, and Frank Oz’s THE SCORE. Through that association, Jeff worked with such artists as Renee Fleming, Annie Lennox, Enya, Isabel Bayrakdarian, Kronos Quartet, The London Philharmonic Orchestra, Terry Edward’s London Voices, and top studio orchestras and musicians in London, Los Angeles and New York.

DigIt audio is a full service audio post production facility specializing in Sound design and mixing for film and television. Digit has provided sound design and mixing facilities from action features like UNIVERSAL SOLDIER: REGENEARTION to indie classics HALF NELSON, LAUREL CANYON, HAPPINESS, HIGH ART, ANOTHER GAY MOVIE, JOSHUA and dozens of documentaries from SOUL POWER to ROMAN POLANSKI: WANTED AND DESIRED. DigIt audio has partnered with Glass Eye Pix on over a dozen projects since 2001 including WENDIGO, THE LAST WINTER, THE ROOST, TRIGGER MAN, AUTOMATONS, THE HOUSE OF THE DEVIL, LIBERTY KID, I SELL THE DEAD, BITTER FEAST, and STAKE LAND. www.digitaudio.com