October 3, 2016

Let The Fall Season begin! Film Society Announces TALES LIVE!
One Night Only at Lincoln Center, NYC
: October 20


From the Press Announcement:

Get ready for a one-night-only Scary Movies live event! Tales from Beyond the Pale, from the acclaimed audio series curated and hosted by Glass Eye Pix’s Larry Fessenden and Glenn McQuaid, will take over the Walter Reade Theater on Thursday, October 20 with two brand-new audio dramas written especially for the occasion.

In addition to the October event, the Film Society of Lincoln Center will continue to present special one-off Scary Movies nights throughout the year, culminating in the 10th anniversary edition of the annual horror fest, which is moving to Summer 2017.

“After being a Halloween fixture for years, we decided that bringing Scary Movies to the summertime would provide an unexpected and fun escape for horror fans,” said co-programmer Laura Kern. “We’ve also been dying to work with Glass Eye Pix again, so we hope you will join us for this unforgettable collaboration in October, and for the other special events that we will be hosting throughout the year, until we return next summer, better than ever, to celebrate our 10th anniversary.”

Created by Fessenden and McQuaid with the goal of making audio drama a vital, contemporary medium, Tales from Beyond the Pale provides a forum for up-and-coming and established writers and filmmakers such as Stuart Gordon, Simon Barrett, Kim Newman, Sarah Langan, and others to push the horror genre into new territory. Performed with a cast of familiar faces, live musicians, and Foley theatrics, Tales boasts 40 original audio plays thus far, presenting twisted stories that will chill and delight fans of the macabre.

The Film Society proudly presents an evening showcasing two brand-new Tales written by Fessenden and McQuaid. Counting Vincent D’Onofrio, Ron Perlman, Michael Cerveris, Misha Collins, Shea Whigham, Joe Swanberg, Nick Damici, Kevin Corrigan, and James Le Gros among its roster of talent, this award-winning series promises a night as fun to watch as it is to listen to. Check back for updates regarding the evening’s participants.

Scary Movies is organized by Laura Kern and Rufus de Rham. Tickets go on sale Thursday, October 6 and are $18 / $13 for Film Society members and students.

June 21, 2016

TALES FROM BEYOND THE PALE wins the Silver Radio Award for Best Regularly Scheduled Drama Program at the 2016 New York Festival’s International Radio Program Awards! Co-creator Glenn McQuaid was in attendance, accepting the award. Check out the pics below!






December 20, 2015

Indiewire hosts the latest TALES FROM BEYOND THE PALE episode by Joe Maggio. CANNIBALS follows an auteur who discovers that a young filmmaker is biting his style.

Indiewire is exclusively premiering new episodes from the third season of “Tales From Beyond the Pale,” the audio play series produced by Glass Eye Pix. Episodes will be available for two-day windows. 

The season concludes today with filmmaker Joe Maggio’s “Cannibals.” Read an interview with Maggio conducted by Indiewire’s Eric Kohn about the inspiration for the episode below. Pre-order the third season of “Tales From Beyond the Pale” here.

The story of “Cannibals” involves an established director who confronts a young filmmaker who’s been ripping him off. Is this something you’ve experienced firsthand? 

Well, I’ve done my share of idol worshipping — writers and directors I became obsessed with and whose work I devoured. I started off with Cassavetes. I watched his films over and over again, but beyond the film work I really dug into his personal life. I wanted to know what brand of cigarette he smoked, what was his cocktail of choice, whose shirts did he wear, that kind of stuff. I suppose that, unconsciously, I was simply trying to conjure up a presence, to get as close as possible to the man so that some of his greatness might rub off.

READ MORE: How Horror Movies Have Changed Since ‘Psycho,’ According to Filmmaker Eric Red

After Cassavetes I had a David Lynch phase, Kieszlowski, Fellini…And then you reach an age where such obsessive fandom feels somehow undignified. You become your own person, comfortable in your own skin, and it feels silly to be so involved in the minute details of another man’s life. It’s like when I see a grown man walking around in a football jersey with another man’s name on the back – it’s ridiculous! For “Cannibals,” I wondered how it must feel to know that there is this person out there digging into every aspect of your creative and personal life. I imagined it would feel flattering to a point, but then it might start to feel like a violation, or worse…

How did this approach to storytelling differ from your experiences as a filmmaker?

“You reach an age where obsessive fandom feels somehow undignified.”

This is actually my third time out with “Tales From Beyond the Pale” so I feel like I’ve made some progress as a “radioist.” I guess the most obvious difference between radio and film is that with a radio play you’ve got to be careful that your story will be compelling on a purely auditory level, which really isn’t that hard because frankly I find it compelling to just listen to someone with an interesting voice saying interesting things. And that really is the biggest difference for me, that the radio plays allow me to write really long passages of dialogue, which I love to do and which is not something I can get away with as a filmmaker.

With film, I feel like I’m always trying to trim things back, to show and say the minimum. But with the radio plays I let it rip.

You’ve been exploring themes of human depravity across several films. What appeals to you about this focus? 

Oh, I guess what I’m really exploring is my own depravity, my own sick fantasies, or the crushing fears that would otherwise fester inside of me. Writing about these things and then watching an actor get up and speak the words that previously only existed in my head, or perform the gestures and actions I’d imagined a thousand times is a way of exorcising my depravity and achieving a kind of transcendence.

What’s your relationship to the horror genre? Do you consider horror to be a part of your earlier films? “Bitter Feast” is the only one that has some horror elements.

I don’t think I’ve ever made a movie that lies strictly within the horror genre, although “Bitter Feast” comes the closest. I’m someone who dabbles in horror, who sees the horror in the seemingly benign — which, when I think about it now, is actually a defining characteristic of the best horror films, or at least my favorite horror films, like “The Exorcist” or “The Shining.” You start with something so ordinary, so familiar, and then you start peeling away the layers until you get to the rotting core.

What’s next for you?

I’m just finishing a new film, “Supermoto,” about a girl who wakes up in a motel on the edge of the prairie in Eastern North Dakota. She quickly discovers that her boyfriend has ditched her and all he’s left behind is a toothbrush, a few bucks, a set of racing leathers and a supermoto motorcycle. We shot in scope with seventies-era Lomo anamorphic lenses. It’s gonna be pretty sweet.